Raphael and the Fornarina
Descrição
This composition, the first of six versions, articulates Ingres’s conception of the art of painting. For him, the oeuvre of the Renaissance artist Raphael was the pinnacle of artistic achievement. Here Ingres draws on Raphael’s relationship with the woman known as “La Fornarina” (the Little Baker), which, according to the biographer Giorgio Vasari, led to the young artist’s death from an excess of lovemaking. Raphael has just sketched the famous portrait of her, and his beloved subject sits on his knee. But Raphael has eyes only for his own creation, which, like Ingres’s representation of its model, meets the viewer’s gaze. This triangle of glances is complicated by the presence of the Virgin in Raphael’s Madonna of the Chair, seen against the back wall, where she resembles the artist’s lover.
LA FORNARINA BY RAPHAEL: who she was and where to admire her
Ingres: Raphael et la Fornarina, detail, Jean Auguste Domin…
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Antique Art Painting Stengel & Co. Postcard La Fornarina Raffaello Santi Rafael
Pablo Picasso, Raphaël et la fornarina XVIII (1973), Available for Sale
Raphael Raffaello's La Fornarina - Canvas – Batakta
Pablo Picasso, Raphael and the Fornarina IX
La Fornarina After Raphael Stock Illustration - Download Image Now - 2015, Adult, Adults Only - iStock
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Pablo Picasso, Raphaël et la Fornarina IV: avec le Pape tirant le rideau ( Raphael and the Fornarina IV: with the Pope Pulling Back the Curtain), plate 299 from 347 Series (Bl. 1779, Ba. 1796) (1968)
Raphael and the Fornarina. XV: The Pope has Returned on His Chamber Pot, Picasso museum Barcelona
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